Both directions draw from the same palette DNA — joyful, botanical, maximalist. The difference is emphasis and temperature: one is cream-warm, one is sky-cool.
Both directions draw from the same palette DNA — joyful, botanical, maximalist. The difference is emphasis and temperature: one is cream-warm, one is sky-cool.
The stripe appears on every piece in both directions. It is the suite’s handshake.
La Cour Rose treats the tennis party as a garden soirée — where the court happens to be grass, the champagne arrives at 2pm, and everything is composed with the unhurried confidence of someone who has done this many times before. The palette stays warm: linen as ground, fuchsia as the single bold note, garden green for botanical flourishes, coral for warmth. The floral tennis ball appears as a delicate engraved illustration — fine-line, not painterly.
The same botanical maximalism pushed into graphic territory: flat bold colour fills, Matisse-inspired cut-out shapes, Playfair Black at scale, and a sky blue ground that feels like looking straight up through the palms. The floral tennis ball — seams that bloom into tropical botanicals — is the signature that appears on every piece. The same party, told by a bolder hand.
The material, as delivered
Quoted from this suite's own production spec — the stock the invitation was actually printed on. Surfaces are rendered from that spec, not photographed.
A · La Cour Rose
B · Match Point Maximalia
Match Point Maximalia was chosen. Seven pieces carry the floral ball from the invitation to the scoreboard.
See the finished suite